Since Hyper focal distance is greatly affected by sensor size, I made different charts for each. If computing isn’t for you, I created these charts below for you. Once you know how to find the Hyper Focal distance using your camera and your lens, you’ll be able to position your subject and frame the image for a deep focus shot. But, if not, I recommend rewatching the video until you understand how to find the Hyper Focal distance. I didn’t get it after watching the video once, maybe you did. To better understand how to get the Hyper focal distance, prepare to do a bit of math and watch this video. Hyper focal distance are affected by these factors: It’s the distance where everything from that point to infinity is acceptably sharp. To make a perfect deep focus shot, you need to apply Hyper Focal Distance. This everything-in-focus image can be achieved by using a wide lens and stopping down the aperture but simply doing so causes some diffraction. However, if you can shoot in deep focus and still be able to separate the subject from the background, you create this amazing image that the eyes can enjoy every part of the frame while still keeping their head on the story. That’s why companies are creating smaller aperture lenses. Most people love shooting in shallow focus because it separates the subject from the background making it pop in the frame more. The subject is in focus and the rest in the frame aren’t. Notice how most films uses a shallow depth of field. What is Deep Focus Cinematography?ĭeep Focus Cinematography is a technique in Filmmaking where everything from the subject, the foreground, and the background are all in focus. Doing just so, we are missing amazing shots you can get with using deep focus cinematography. Yes, there’s no problem with that, however. I love shooting portraits and I think it’s okay to just shoot in low aperture like f1.2 to make my subjects pop out. I haven’t shot a film with an aperture of more than f4. We are so in love with that blurry background and bokeh. They used deep-focus shots that were so awesome and I realized that we shouldn’t be limited to the box we have right now as a filmmaker. I suddenly got interested in Deep Focus Cinematography because I noticed how it was used perfectly in The Revenant movie.
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